T.R. Strack

Dark fantasy. Dangerous gods. Loves that burn everything down.

M/M Fantasy Romance

The Books

Book I Flames of the Three Thrones cover

Flames of the Three Thrones

Dark Fantasy M/M Romance 81K Words

Three thrones. Three fires. One love forged in the inferno between them. A dark fantasy romance of power, obsession, and the flames that consume everything they touch.

Book II A Throne of Black Thorns cover

A Throne of Black Thorns

Dark Fae Romance M/M Romance 85K Words

In the Nighthollow Court, thorns grow from the walls and secrets grow from the silence. A mortal prince. A fae king bound by ancient cruelty. A love that bleeds from every crown.

Book III The God Who Bled Gold cover

The God Who Bled Gold

Mythic Romantasy M/M/M Romance 96K Words

A god who sees the future. A prince who refuses to fear it. A wind that wants to destroy them both. In the steam-drenched baths of ancient Olympia, three men collide in a mythic tale of divine obsession, deadly politics, and a love too consuming to survive.

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The Worlds

From the thorn-choked courts of the Nighthollow fae to the steam-veiled thermae of ancient Olympia, T.R. Strack builds worlds where beauty hides violence and love is the most dangerous weapon of all.

These are stories of dark courts and darker bargains, of gods who bleed and mortals who refuse to kneel, of men who love each other with the ferocity of war and the tenderness of grief.

Every throne has a price. Every crown draws blood. Every kiss tastes like the end of something.

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The Author

TRS

T.R. Strack

T.R. Strack writes the kind of love stories that leave marks — dark fantasy romance where the men are morally gray, the magic is brutal, and the happy endings are never guaranteed.

With roots in mythology, gothic literature, and the unapologetic heat of modern romantasy, Strack’s work lives in the space between literary fantasy and the books you hide inside other book covers. Fae courts, divine obsessions, political intrigue, and love scenes that could melt a throne — it’s all here.

When not writing, Strack is probably reading something with a morally bankrupt protagonist, drinking too much coffee, and arguing with fictional characters who refuse to follow the outline.